This song and its place in the concluding credits leaves the audience in a state of thought, as it presents an irony. It’s almost like the end credits of a Masterpiece Theatre type program, implying greatness and importance. There is a sense of class, wealth, reputation, and intellect that eases its way off the classical piece, arranging a stunning collaboration between the minimalistic animations of the ending titles as well as its font. What makes this usage of frolicking classical music so substantial on the film’s ending as well as its progression through the credits, is that it carries off the prestigious lifestyle of what would be expected of Daniel Plainview’s wealth in the eyes of an external figure, such as his peers whom which would be oblivious to his personal demons. 77, 3rd movement, “Vivace ma non troppo.” It’s a stunning classical piece that contrasts incredibly by the otherwise dark and chilling score by Johnny Greenwood. As his butler descends the staircase to check to see what the ruckus was all about, Plainview simply states, “I’m finished,” and then cues Johannes Brahms’ Violin Concerto in D major, Op. There is no sign of guilt or remorse felt by the character, but a simple weariness that his sanity is now feeding off of. After engaging in an act of bitterly provoked murder towards Eli Sunday, wealthy oilman Daniel Plainview takes a seat at the edge of his private bowling alley in the basement of his mansion simply to catch his breath and calm himself. There Will Be Blood may just be Paul Thomas Anderson’s masterpiece and this ending itself is nothing short of perfection.
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